In their latest piece for LA Weekly, writer Chad Byrnes reviews Ticket To Paradise, the new film starring Julia Roberts and George Clooney. Despite it’s A-List ...
In their latest movie review for L.A. Weekly, critic Chad Byrnes reviews Târ, Todd Field’s latest film starring Cate Blanchett as Lydia Târ, a fictional conduct...
In their latest piece for L.A. Weekly, movie reviewer Chad Byrnes shares their thoughts on Catherine Called Birdy, Lena Dunham’s new PG-13 John Hughes-inspired ...
In his latest review, journalist Chad Byrnes reviews actress Audrey Plaza’s newest film, Emily the Criminal, in theaters now. Written and directed by relative n...
Baz Luhrmann’s Elvis has a feral energy you don’t experience often in the movies; not even for a Luhrmann project (he’s a director who notoriously specializes i...
More performance art than music documentary, Andrew Dominik’s This Much I Know to Be True is a stripped-down but complex portrait of Australian musician/poet Ni...
A savage and mesmerizing Viking saga like no other, Robert Eggers’ The Northman leaves your senses bludgeoned by the time the credits roll. Like The Witch and T...
After a 20 year hiatus, Adrian Lyne returns to the director’s chair with Deep Water, a glossy drama starring Ben Affleck and Ana de Armas that fits in nicely wi...
Stellar cast and Jessica Chastain's good intentions to make an all-female Bond-style thriller aside, The 355 plays more like a blockbuster blueprint than an ac...
Guillermo Del Toro’s Nightmare Alley is his darkest and most complex film yet, discarding his obsession with monsters and ghouls to explore the ones we keep loc...
